Michael Lucken, "Imitation and Creativity in Japanese Arts: From Kishida Ryusei to Miyazaki Hayao "
English | ISBN: 0231172923 | 2016 | 256 pages | AZW3 | 8 MB
The idea that Japanese art is produced through rote copy and imitation is an eighteenth-century colonial construct, with roots in Romantic ideals of originality. Offering a much-needed corrective to this critique, Michael Lucken demonstrates the distinct character of Japanese mimesis and its dynamic impact on global culture, showing through several twentieth-century masterpieces the generative and regenerative power of Japanese arts.
Choosing a representative work from each of four modern genres―painting, film, photography, and animation―Lucken portrays the range of strategies that Japanese artists use to re-present contemporary influences. He examines Kishida Ryusei's portraits of Reiko (1914-1929), Kurosawa Akira's Ikiru (1952), Araki Nobuyoshi's photographic novel
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