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Dramatic Experience The Poetics of Drama and the Early Modern Public Sphere(s) (Drama and Theatre in Early Modern Europ

Dramatic Experience The Poetics of Drama and the Early Modern Public Sphere(s) (Drama and Theatre in Early Modern Europ



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Katja Gvozdeva, "Dramatic Experience: The Poetics of Drama and the Early Modern Public Sphere(s) (Drama and Theatre in Early Modern Europ"
English | ISBN: 9004329757 | 2016 | 313 pages | PDF | 2 MB
In Dramatic Experience: The Poetics of Drama and the Early Modern Public Sphere(s) Katja Gvozdeva, Tatiana Korneeva, and Kirill Ospovat (eds.) focus on a fundamental question that transcends the disciplinary boundaries of theatre studies: how and to what extent did the convergence of dramatic theory, theatrical practice, and various modes of audience experience - among both theatregoers and readers of drama - contribute, during the sixteenth to eighteenth centuries, to the emergence of symbolic, social, and cultural space(s) we call 'public sphere(s)'? Developing a post-Habermasian understanding of the public sphere, the articles in this collection demonstrate that related, if diverging, conceptions of the 'public' existed in a variety of forms, locations, and cultures across early modern Europe - and in Asia.

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