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Music Theory Abrsm Grade 7 Complete
Published 12/2024
MP4 | Video: h264, 1920x1080 | Audio: AAC, 44.1 KHz
Language: English | Size: 1.53 GB | Duration: 5h 10m
A complete course covering the ABRSM Grade 7 Music Theory syllabus.
What you'll learn
Learn how to ace the ABRSM Grade 7 Music Theory Exam and pass with Distinction!
Develop your knowledge of harmony, chords, progressions and figured bass
Hone your composition skills, learning to write a melody to fit a piano accompaniment
Explore a wide range of music styles and develop your analytical skills
Requirements
Students should already have passed ABRSM Grade 6 Music Theory
Description
This course covers knowledge and skills required to answer everything in the ABRSM Grade 7 Music Theory exam.Every topic in the syllabus is explained in a concise and easy-to-follow way. Each exam question is explained in detail, with step-by-step videos on how to tackle it. Grade 7 ABRSM comprises five questions:1) Adding figures to a given bass line and melody part2) Completing a Bach-style chorale or early-Classical ear keyboard style pieces, using suitable melodic decoration and keyboard accompaniments3) Composition of either a solo part to fit a given piano accompaniment, or a solo piece based on a given chord progression and stylistic opening.4) and 5) A mixed bag of score-reading question (e.g. intervals, chord recognition, cadences, transposition, identification of eras, knowledge about orchestral instruments and music terms and symbols etc.) Question 4 is usually a smaller-scale chamber music score, and question 5 is usually an extract from an orchestral score.PDF including - with detailed lessons, exercises, test and model answers. Each chapter provides a step-by-step explanation of the theory, with lots of musical examples. Each chapter is followed by a series of practice exercises. All answers are provided, including model answers for the creative questions.Course ContentsChords vii7, secondary 7ths and the Neapolitan 6thVoice leading and exceptions to the "rules"Decoration notes and their use in chorales and Classical keyboard stylesHow to analyse harmony with decoration notesChord progression and harmonic sequencesFigured bass including 7th and 9th chordsHow to figure a given bass lineReconstructing a Baroque chorale and a Classical keyboard pieceWriting a solo composition to fit a given piano accompanimentWriting a solo composition from a prompt or given chord progressionQuestions on musical scores (chamber and orchestral)Musical terms and symbolsPractice test
Overview
Section 1: Introduction
Lecture 1 ABRSM Grade 7 Music Theory Introduction
Section 2: Keys
Lecture 2 Identifying the Home Key
Lecture 3 Direct Modulation
Section 3: Chords
Lecture 4 Chord vii-dim7 (Diminished 7th)
Lecture 5 Secondary 7ths
Lecture 6 Neapolitan 6th (♭II)
Section 4: Voice Leading
Lecture 7 Voice Leading Review
Lecture 8 Secondary 7ths Voice Leading
Lecture 9 Voice Leading Exceptions
Section 5: Decoration
Lecture 10 Passing Notes
Lecture 11 Auxiliary Notes 2
Lecture 12 Auxiliary Harmony Notes
Lecture 13 Appoggiaturas
Lecture 14 Chromatic Appoggiaturas
Lecture 15 Suspensions
Lecture 16 Retardations
Lecture 17 Simultaneous Decoration
Lecture 18 Decoration Mistakes to Avoid
Lecture 19 Analysing Harmony with Decoration Part 1
Lecture 20 Analysing Harmony with Decoration Part 2
Section 6: Chord Progressions
Lecture 21 Arpeggio 6/4 (Alberti Bass)
Lecture 22 Harmonic Sequence
Lecture 23 Harmonic Sequence with Suspensions
Section 7: Q1 | Figured Bass
Lecture 24 Introduction to Figured Bass at Grade 7
Lecture 25 Figured Bass 7th Chords
Lecture 26 Figured Bass 4-3 Suspension
Lecture 27 Figured Bass Figure 4
Lecture 28 Added 9th Chords
Lecture 29 Figuring a Bass Line - Part 1
Lecture 30 Figuring a Bass Line - Part 2
Lecture 31 Figuring a Bass Line - Part 3
Lecture 32 Figured Bass Summary of Progressions
Lecture 33 Getting Top Marks
Section 8: Q2 | Chorale Reconstruction
Lecture 34 Introduction to the Chorales Question
Lecture 35 Method
Lecture 36 Unaccented Passing Notes
Lecture 37 Suspensions
Lecture 38 Printed Clues
Lecture 39 Further Decoration
Lecture 40 Checking the Harmony
Lecture 41 A Step Further
Lecture 42 Chorale Reconstruction Walkthrough
Section 9: Q2 | Keyboard Reconstruction
Lecture 43 Introduction to the Keyboard Reconstruction Question
Lecture 44 Analysing Openings
Lecture 45 Keyboard Voice Leading
Lecture 46 Keyboard Accompaniment Styles
Lecture 47 Q2 Keyboard Reconstruction Walkthrough
Section 10: Q3 | Composition
Lecture 48 Grade 7 Composition Question Types
Lecture 49 Q3a Marking Criteria
Lecture 50 Q3a Grammatical Aspects
Lecture 51 Q3a Composition Style
Lecture 52 Q3a Composition Walkthrough
Lecture 53 Q3b Composition Marking Criteria
Lecture 54 Q3b Working with a Given Opening
Lecture 55 Q3b Composition Walkthrough
Section 11: Q4/5 Score-Based Questions
Lecture 56 Introduction to Score Based Questions
Lecture 57 Navigating a Score
Lecture 58 More About Scores
Lecture 59 Comparisons
Lecture 60 Phrases
Lecture 61 Crossing Parts | Pedals
Lecture 62 Intervals | Pitch
Lecture 63 Transposition
Lecture 64 Identifying Chords
Lecture 65 Prevailing Key
Lecture 66 General Advice about Chords
Lecture 67 Rhythm
Lecture 0 Instrument Specific Terms
Lecture 0 Eras and Styles
Lecture 68 Era Identification Practice
Advanced music theory students who already have a good grounding in harmony
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